If you visit an art exhibition or a museum, you often encounter room-filling installations, impressive performances, or large paintings and sculptures. Although important for an artist’s CV, such works don’t necessarily pay the bills. Due to the nature of such large-scale works – the chosen media, inherent instability, or sheer size – they are hard
How to make one feel a painting? Feel the warmth with which it is created and feel the warmth that the visual image bears. These were some of the take-off points of the experimentation process of Priscila Fernandes. And as in any experiment, one starts to investigate the potential of materials, research on how it
As part of the incubation track, In4Art invests in the career development of talented artists. We are not alone in this and are always looking to establish strong partnerships with institutions, organisations and other parties. In the Netherlands, since 2006, De Volkskrant Beeldende Kunst Prijs has the mission to acknowledge the potential and experimentation thrive
Public institution Witte de With and In4Art have agreed to collaborate on the upcoming solo exhibition The Ten Murders of Josephine by 2017 Prix de Rome nominee Rana Hamadeh. The exhibition will be running from September 8th until December 31st 2017 at Witte de With in Rotterdam, the Netherlands. The collaboration involves a direct investment
As applies to any driver for innovation, a fierce commitment to research and vision is needed. As In4Art we believe that artists have the capacity to bring the unexpected, the mind-boggling, new and fresh concepts. In their practice they fuse technology with art. Art is a way to enable innovation. In4Art sees parallels in the
